![]() ![]() The vocals at times can get annoying (but that's my taste of course. (10/10) Stay Happy: A slow and almost quiet one-minute build-up gives way to a song about maintaining a bad relationship. Also, THOSE DRUMS! (10/10) Skyline: The prettiest song so far, it's a song about managing to meet expectations (I think) that initially is an attack against someone else (you), before it ultimately turns back to the singer when he proclaims, "I shouldn't have come at all." Although the lyrics never change, the arrangement changes up just enough for it to never get repetitive, yet another perfect song. Although words are said over and over again, it always sounds different each time somehow. ![]() (9/10) Protest Song: Although the title indicates that this would be a political song, it appears to be referring to something much more personal (but I'm too clueless to figure it out.) The vocals are beautiful and are a nice contrast to the somewhat overproduced vocals from the second song. It may require less sensitive ears though. It never stays in the same pattern, but it never becomes hard to follow along with. (7/10) Halfway Home: The very first second of the song will be a surprise for everyone, with that being said, the actual song itself is very smooth yet rocky at the same time, with vocals that are produced with purpose, bridges that bring poignancy to the lyrics, and a guitar break that gives the listener a chance to breathe. Still, good instrumentation for a song that was too short. Considering what the next track was, I'm surprised this was how the album started. Which wasn't necessarily a bad thing in this case, however the purpose of this song is unrealized for it fizzles out too quickly. Reminded me of Treefingers yet much more chaotic and disorganized. *expand to see the whole thing* Sol Luna: A short instrumental track. with that being said, he's a track-by-track review of this album, let it be known that during this point of writing, I was optimistic. with that being said, he's a track-by-track review of this album, let it be Be reminded, my opinion is only worth what you think it's worth. Because I think we've always been a band that's been a celebration." True to his word, Drew and company have rendered Hug Of Thunder exactly that.Be reminded, my opinion is only worth what you think it's worth. In a recent interview, Broken Social Scene's de facto leader Kevin Drew cited the Paris terror attacks of 2015 as a wake-up call, one that spurred the group's return: "It just sort of made us want to get out there and play. That doesn't mean, however, the group isn't reacting to the less-than-ideal state of the world. Rather than angry, it's a bittersweet confection that dissolves into a breakneck bridge of soaring guitar heroics. ![]() Similarly, the title of "Protest Song," one of the album's standout tracks, is not indicative of its sound. She's more downbeat, yet no less evocative, on the elegantly brooding "Victim Lover." "Gonna Get Better" belies its title by sticking to a subdued groove and a swirling, contemplative tone - the feeling of flipping through folders of old photos, letting the rush of memories come. A member of the offshoot AroarA with Broken Social Scene's Andrew Whiteman, she lends piercing elation to "Stay Happy," a burst of symphonic pop with a massive yet laid-back beat. When it comes to a mix of ethereality and strength, new vocalist Ariel Engle is no slouch. Later on, the album's celestial title track erupts into a typically majestic chorus, complete with lit-major attention to storytelling and symbolic detail, led by Broken Social Scene breakout star Leslie Feist who pulls off a Kate Bush-level of otherworldliness. "Halfway Home" is an upward spiral of a song, buoyed by washes of orchestral euphoria and weightless, male-female harmonies worthy of My Bloody Valentine. After an atmospheric instrumental opening harking all the way back to Feel Good Lost, the band kicks in with the anthems. The band has been mostly silent, studio-wise, since 2010's Forgiveness Rock Record - the various members of its loose-knit roster keep themselves busy in other high-profile acts such as Feist, Stars and Metric, not to mention the occasional solo album - but the Toronto collective is at last set to return with its fifth full-length, Hug Of Thunder (out July 7 on Arts & Crafts).įeaturing all 15 original members of the band (Broken Social Scene has never done minimal), Hug Of Thunder does not skimp. The group's ambient, experimental 2001 debut, Feel Good Lost gave way to the wide-angle vision of its 2002 breakthrough, You Forgot It In People, an album of giddy highs and moody lows. ![]() Before taking a break of seven years from releasing albums, Broken Social Scene established itself as one of indie rock's most epic practitioners. ![]()
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